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National Education News

Full Episode: February 20, 2024 [Video]

On todays show, we are celebrating National Wine Day! First Jessica highlights a few wine items to elevate your wine experience and even get rid of those wine headaches. Then, Two EEs Winery joins us for a wine tasting and some education about their award-winning wines. by showing you some unique wine products and sampling []

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National Education News

Taos artist resculpts history in new national monument [Video]

On any given day, youll find Nikesha Breeze hard at work in their studio. But Breeze isnt alonetheyre surrounded by piles of paint tubes, jars filled with paint brushes, other tools, and faces inside the Taos workspace.KOAT interviewed the interdisciplinary artist as they worked on a solo show, Black Archive, a series of portraits inspired by Frederick Douglass and aiming to reframe narratives of how Black people were depicted throughout history.Coming Together: Project CommUNITYBut Breezes interest in this type of art started in 2016. I began to study a ton around this history of African American people, Breeze shared. Trying to learn more about my own family’s journey. I started to get filled with images of these people and their stories. I felt like I needed to get these images out of my head.That research inspired Breezes first portraits and gave the artist validation to create their next piece. I started research, trying to figure out what are some of the ways that people honor the dead and honor ancestors, Breeze said. In that research, I found the tradition of death masks.Breeze created the 108 Death Masks in honor of the millions of nameless and faceless victims of the African Slave Trade. It was very easy to romanticize the idea of what my ancestors would look like, Breeze explained. I ended up deciding that the only way I could do it right would be to really engage with a ritual process.Breeze would sculpt one mask a day for 108 days straight. I would cut a piece of clay, I would roll it out smooth, the artist recalled. I would take the next hours and scar the clay. Sometimes, I put it in extreme heat, or extreme cold, imagining the conditions that enslaved people were in. Sometimes I would hit it with leather strapslike whipsand by the end, they were marked with all of these historical textures.The completed installation caught the attention of the people behind the Equal Justice Initiative, an Alabama-based organization. They’re like, We’re creating a new monument, Breeze recalled. And so the question was, can I recreate this work in bronze?Looking around Breezes studio, that answer is clearthere are bronze versions of the masks on a table. I decided to do the work in West Africa, Breeze shared. To actually do the work in the land of the ancestors.Breeze worked alongside a master caster for almost five months. We did the entire process in the most archaic way, they recalled. We collected beeswax, donkey dung, clay from termite mounds, and sand from the earth. We blended those all together, then individually pressed that into the wax, baked it in a huge open fire, then poured the bronze into each of the clay molds. I worked with hand-sanding and grinding each one.Follow us on social: Facebook | Twitter | Instagram | YouTubeThe bronze masks are now mounted on a 100-foot wall in Montgomery, Alabama. Breezes work is at the Freedom Monument Sculpture Park, the new national monument by the Equal Justice Initiative. The monument is built along the banks of the Alabama River, where once many faced the horrors of the African Slave Trade. There’s a mourning of the all of the things that could have been, Breeze said. It can also be seen as a liberation.Visitors can stand eye-level with Breezes workface-to-face with the ancestors behind the masks. I invite folks to come up and to take a single breath with each mask and a single prayer really for peace and justice, they said. I made 108, but we can imagine a million behind each mask.What started as a journey for individual truth led Breeze to carve out a piece of history, and re-sculpt it for generations past and to come. If we are absolutely consciously holding and being accountable to our past, then in that honoring, we are shifting our future, explained Breeze. This whole thing is like, not even my plan. I’m just the hands.Some of Breezes portrait work can be seen at the Richard Levy Gallery in Downtown Albuquerque. Black Archive is made up of large and small-scale oil paintings, drawings, and sculptures. It will be featured at the gallery until March 16.Action 7 News On The Go: Download our app for free

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National Education News

Red Cross seeks volunteers to help install smoke alarms [Video]

Last year, Red Cross volunteers installed 7,850 free smoke alarms in households across the state. This year, volunteers are needed to install 1,400 smoke alarms during the month of March as part of the national Red Cross initiative to install 50,000 free smoke alarms with community and fire department partners in at-risk communities across the []

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National Education News

Monument to Japanese American WWII detainees lists more than 125,000 names [Video]

Samantha Sumiko Pinedo and her grandparents file into a dimly lit enclosure at the Japanese American National Museum and approach a massive book splayed open to reveal columns of names. Pinedo is hoping the list includes her great-grandparents, who were detained in Japanese American incarceration camps during World War II.Related video above: Black female Army Battalion honored for delivering mail during World War II”For a lot of people, it feels like so long ago because it was World War II. But I grew up with my Bompa (great-grandpa), who was in the internment camps,” Pinedo says.A docent at the museum in Los Angeles gently flips to the middle of the book called the Ireich and locates Kaneo Sakatani near the center of a page. This was Pinedo’s great-grandfather, and his family can now honor him.On Feb. 19, 1942, following the attack by Imperial Japan on Pearl Harbor and the United States’ entry into WWII, President Franklin D. Roosevelt signed Executive Order 9066 authorizing the incarceration of people of Japanese ancestry who were considered potentially dangerous.From the extreme heat of the Gila River center in Arizona to the biting winters of Heart Mountain in Wyoming, Japanese Americans were forced into hastily built barracks, with no insulation or privacy, and surrounded by barbed wire. They shared bathrooms and mess halls, and families of up to eight were squeezed into 20-by-25 foot (6-by-7.5 meter) rooms. Armed U.S. soldiers in guard towers ensured nobody tried to flee.Approximately two-thirds of the detainees were American citizens.When the 75 holding facilities on U.S. soil closed in 1946, the government published Final Accountability Rosters listing the name, sex, date of birth and marital status of the Japanese Americans held at the 10 largest facilities. There was no clear consensus on who or how many had been detained nationwide.Duncan Ryken Williams, the director of the Shinso Ito Center for Japanese Religions and Culture at the University of Southern California, knew those rosters were incomplete and riddled with errors, so he and a team of researchers took on the mammoth task of identifying all the detainees and honoring them with a three-part monument called “Irei: National Monument for the WWII Japanese American Incarceration.””We wanted to repair that moment in American history by thinking of the fact that this is a group of people, Japanese Americans, that was targeted by the government. As long as you had one drop of Japanese blood in you, the government told you you didn’t belong,” Williams said.The Irei project was inspired by stone Buddhist monuments called Ireits that were built by detainees at camps in Manzanar, California, and Amache, Colorado, to memorialize and console the spirits of internees who died.The first part of the Irei monument is the Ireich, the sacred book listing 125,284 verified names of Japanese American detainees.”We felt like we needed to bring dignity and personhood and individuality back to all these people,” Williams said. “The best way we thought we could do that was to give them their names back.”The second element, the Ireiz, is a website set to launch on Monday, the Day of Remembrance, which visitors can use to search for additional information about detainees. Ireihi is the final part: A collection of light installations at incarceration sites and the Japanese American National Museum.Williams and his team spent more than three years reaching out to camp survivors and their relatives, correcting misspelled names and data errors and filling in the gaps. They analyzed records in the National Archives of detainee transfers, as well as Enemy Alien identification cards and directories created by detainees.”We feel fairly confident that we’re at least 99% accurate with that list,” Williams said.The team recorded every name in order of age, from the oldest person who entered the camps to the last baby born there.Williams, who is a Buddhist priest, invited leaders from different faiths, Native American tribes and social justice groups to attend a ceremony introducing the Ireich to the museum.Crowds of people gathered in the Little Tokyo neighborhood to watch camp survivors and descendants of detainees file into the museum, one by one, holding wooden pillars, called sobata, bearing the names of each of the camps. At the end of the procession, the massive, weighty book of names was carried inside by multiple faith leaders. Williams read Buddhist scripture and led chants to honor the detainees.Those sobata now line the walls of the serene enclosure where the Ireich will remain until Dec. 1. Each bears the name in English and Japanese of the camp it represents. Suspended from each post is a jar containing soil from the named site.Visitors are encouraged to look for their loved ones in the Ireich and leave a mark under their names using a Japanese stamp called a hanko.The first people to stamp it were some of the last surviving camp detainees.So far, 40,000 visitors have made their mark. For Williams, that interaction is essential.”To honor each person by placing a stamp in the book means that you are changing the monument every day,” Williams said.Sharon Matsuura, who visited the Ireich to commemorate her parents and husband who were incarcerated in Camp Amache, says the monument has an important role to play in raising awareness, especially for young people who may not know about this harsh chapter in America’s story.”It was a very shameful part of history that the young men and women were good enough to fight and die for the country, but they had to live in terrible conditions and camps,” Matsuura says. “We want people to realize these things happened.”Many survivors remain silent about what they endured, not wanting to relive it, Matsuura says.Pinedo watches as her grandmother, Bernice Yoshi Pinedo, carefully stamps a blue dot beneath her father’s name. The family stands back in silence, taking in the moment, yellow light casting shadows from the jars of soil on the walls.Kaneo Sakatani was only 14 when he was detained in Tule Lake, in far northern California.”It’s sad,” Bernice says. “But I feel very proud that my parents’ names were in there.”

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Northeastern University and Open 6G OTIC Partners with AT&T and Verizon to Advance Open and Interoperable Cellular Networks in NTIA T&E Award | PR Newswire [Video]

BOSTON, Feb. 14, 2024 /PRNewswire/ — The Open6G Open Testing and Integration Center (OTIC) at the Institute for the Wireless Internet of Things (WIoT) at Northeastern University will partner with